粤北乳源瑶族刺绣图案的图像学解析——以“盘王印”为例

Iconology analysis of the Yao nationality embroidery patterns of Ruyuan in north of Guangdong: taking " Panwang’s Seal" as an example

作为国家级非物质文化遗产之一,粤北乳源瑶族“盘王印”刺绣图案颇有特色。文章运用图像学的研究方法,从“前图像志分析”“图像志分析”“图像学解释”三个层次解读“盘王印”的构成形式、主题背景、和它所象征的文化内涵。研究表明:“盘王印”的组织结构严密,充分彰显出其神圣与威严性,它的起源与祖先盘王有着紧密的联系,是体现乳源瑶族人们生活习俗、崇拜观念和民族情感的载体。深入挖掘乳源瑶族“盘王印”刺绣图案所体现的文化蕴意,对于进一步了解和探究当地独具特色的民族文化具有重要的意义。

As one of the national intangible cultural heritages,the embroidery pattern of"Panwang’s Seal"of Ruyuan Yao nationality in northern Guangdong province is quite characteristic.The iconology study method was used to interpret the constitution form,theme background and cultural connotation of"Panwang’s Seal"from three levels of"preliminary iconography analysis","iconography analysis"and"iconology interpretation".The study shows that the"Panwang’s Seal"has a rigorous organizational structure,which fully demonstrates its sacredness and stateliness.Its origin is closely related to the ancestor Panwang,and it is the carrier to express the life customs,worship ideas and national emotions of the people in Ruyuan Yao Nationality.Deeply excavating the cultural connotation embodied in the embroidery pattern of"Panwang’s Seal"of Ruyuan Yao Nationality is of great significance for further understanding and exploring the unique local ethnic culture.