解读张大千《神州画廊》的文人书风和艺术趣味

Literati Style and Artistic Taste in Zhang Daqian’s Shenzhou Gallery

书画史上有关张大千的研究,历来是重视其画甚于其书。相对绘画而言,张大千本人更重视书法的创作,其晚年的部分作品形成了富有金石气息、苍劲飘逸、外柔内刚的独特风格。张大千赠侯北人匾额书法作品《神州画廊》笔画和结字体现了张大千“书中有画”的文人书法风格;其每个字中的竖画,都不同程度地运用了颤笔的方法,形成了如老树枝干似的画面感,具有很强的力量和装饰性。由此证明了:张大千曾被人认为是缺陷的颤笔已嬗变为其最具个人风格的表现物,体现出创作者深厚、老辣的书法功底。

In the study of Zhang Daqian in the history of calligraphy and painting,more importance has been attached to his paintings than to his calligraphies.Actually Zhang Daqian paid more attention to the creation of calligraphy than to painting.In his later years,some of his works formed a unique style of metal and stone,which is vigorous and elegant,outwardly soft and inwardly hard.This paper interprets in detail the Shenzhou Gallery calligraphy(the picture is provided by Kunshan Hou Beiren Art Gallery).The following conclusion is drawn:Zhang Daqian’s calligraphy reflects his special literati style of“calligraphy with the charm of painting”.In this calligraphy work,each individual font uses the special writing method of trembling strokes.The powerful and decorative strokes of this calligraphy work are like branches and trunks of old trees.It also proves that Zhang Daqian’s calligraphy characteristics,once considered as defects,are his unique personal style,which reflect the the creator’s profound and spicy calligraphy.