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明清社会变迁与闽台高甲戏的起源

Social Changes in Ming and Qing Dynasties and the Origin of Gaojia Opera in Fujian and Taiwan
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摘要 16、17世纪,中国社会进入朝代更替之际。其间,福建闽南社会经济和文化艺术等领域出现多重矛盾和冲突,成为高甲戏出现的社会根源。高甲戏以泉腔闽南话为基础,充分吸收了南音、梨园戏、木偶戏等民间曲艺的音乐声腔和表演艺术,是民俗节庆、游艺活动和艺术表演的高度结合的一种地方戏剧。 In the 16 th and 17 th centuries, the Chinese society entered the time of dynasty replacement. In the meantime, there were many contradictions and conflicts in the social economy and the culture and art of Fujian, and become the source of the emergence of the Gaojia Opera. The Gaojia Opera is based on the Minnan dialect of the Quanzhou,and fully absorbs the folk music and the performing arts such as the "Nanyin", the Liyuan Opera and the puppet show. It is a kind of local drama which is the combination of the folk festival, the entertainment activities and the artistic performance.
作者 潘荣阳 Pan Rongyang
出处 《福建史志》 2019年第6期27-32,69,70,共8页
基金 2014年度国家社科基金重大项目【第二批】“近代戏曲文献考索类编”的阶段性成果,批准号:14ZDB079 2016年福建省社科规划项目:近世戏剧行业治理研究”,批准号:FJ2016B210
关键词 明清 高甲戏 社会变迁 Ming and Qing Gao Jia opera Social change
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