摘要
咸水歌被誉为"岭南音乐的活化石",是保留着古越人的民风民俗及越语越歌元素最多的歌种,伴随着疍民这一特殊群体"以水为生"的生产生活方式而形成独特的声音景观。咸水歌广泛流行于广东、广西、福建等沿海一带,在珠江三角洲一带水乡流行最广,其中又以广东省中山市的咸水歌为代表,于2006年被国务院公布为首批国家级非物质文化遗产代表项目。本文从音乐地理学的视角,就中山咸水歌的起源、生存和发展与其地理环境的关系做一探讨,并分析其在时间和空间两个维度变化中声音景观的流动变化状况。
The Saltwater song is known as "the living fossil of South of the Lingnan music". It is a kind of song that retains the folk customs of ancient Yue people and the most elements of the Yue language and song. Saltwater songs are widely popular in Guangdong, Guangxi, Fujian and other coastal areas, and most popular in the Pearl River Delta. Among them, the saltwater songs in Zhongshan City, Guangdong Province were announced as the first batch of national intangible cultural heritage representative projects by the State Council in 2006. From the perspective of music geography, this paper discusses the relationship between the origin, survival, and development of the Zhongshan saltwater song and its geographical environment, and analyzes the flow and change of sound landscape in the changes of time and space.
作者
马达
杨华丽
Ma Da;Yang Huali
出处
《南京艺术学院学报(音乐与表演版)》
CSSCI
2019年第4期39-46,I0002,共9页
Journal of Nanjing Arts Institute:Music & Performance
基金
教育部人文社会科学研究规划基金项目“岭南传统音乐文化地理研究的理论与实践”(项目编号:14YJA760021)的阶段性研究成果
关键词
音乐地理学
中山咸水歌
地理环境
声音景观
musical geography
Zhongshan saltwater song
geographical environment
sound landscape