新宾满族自治县清皇故里祭祖大典仪式音乐中的文化认同

Cultural Identity in the Ceremonial Music of the Qing Emperor’s Hometown in Xinbin Manchu Autonomous County

为了建构较为完整的区域音乐文化体系,新宾满族自治县的宗教人士在官方支持下将宗教音乐纳入世俗性仪式之中,并模仿黄帝故里拜祖大典建构了清皇故里祭祖大典这一仪式。官方支持建构这一仪式主要看中其作为社会性仪式所具有的聚合性特点,将宗教音乐纳入仪式之中并非看中宗教的信仰体系,主要是利用宗教仪式行为来支撑场面。仪式音乐不仅塑造了新宾满族的族群认同和区域认同,也体现了当地的佛教认同与道教认同。

In order to construct a relatively complete regional music and culture system, religious people in Xinbin Manchu Autonomous County, with the official support, incorporated religious music into the secular ceremonies, and imitated the great ceremony of ancestor worship in the hometown of the Emperor Huang Di to construct their great ceremony of ancestor worship in the hometown of the Qing Emperor. The official support for the construction of this ceremony mainly focuses on its aggregation characteristics as a social ceremony. The incorporation of religious music into the ceremony does not focus on the religious belief system, but mainly uses religious ceremony behavior to support the scene. Ritual music not only shapes the ethnic identity and regional identity of Xinbin Manchu people, but also embodies the identity of the local Buddhists and Taoists.