摘要
嘛呢石刻艺术是藏民族古老而独特的文化承载和表达方式,体现和反映了藏传佛教信徒的一种精神寄托和文化宿体。囊谦由于所处的地理位置相对特殊,在历史上形成了政治、文化、经济的中心,所以囊谦嘛呢石具有藏区的共性又赋有本地区的特性。本文在实地调查的基础上,分析其产生、发展、传承方式、雕刻技艺、表现内容,揭示其文化内涵。
Stone carving art is an ancient and unique cultural bearing and expression method of the Tibetan people,which embodies and reflects the spiritual sustenance and cultural persistence of Tibetan Buddhist followers.Because of his relatively special geographical position,he has formed the political and historical center in history.Therefore,the stone has the commonness of the Tibetan area and the characteristics of the region.On the basis of field investigation,this paper analyzes its emergence,development,inheritance,engraving techniques,performance content,and reveals its cultural connotation.
作者
杨桂香
YANG Gui-xiang(Academy of Arts,Qinghai Nationalities University,Xining 810007,China)
出处
《青海师范大学学报(哲学社会科学版)》
2019年第6期53-57,共5页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)