近三十年《牛郎织女》连环画图像审美嬗变

On Image Aesthetic Transmutation of the Comic Books The Cowherd and the Weaving Maid in the Past Thirty Years

连环画在中国近现代占有重要地位,上承宋元木版插图源流,下启20世纪50年代。而《牛郎织女》作为家喻户晓的悲剧神话传说故事,在戏曲、小说、连环画等,都有其继承与发展。文章探析《牛郎织女》连环画在不同版本图像视角下,不同的人物“出相”安排带给观者不同之审美感受;图像结构依靠人物的动作、面部表情特征、人物所处位置、服饰来区分人物的主次关系、位置关系、情绪关系等。

Comic books enjoy a very important position in Chinese modern and contemporary ages,they inherit the tradition of wood illustrations of Song and Tang Dynasties,inspire the 1950s.Whereas as a well known tragic myth,The Cowherd and the Weaving Maid is inherited and developed in the forms of dramatics,fictions,comic books.This paper analyzes the diffent arrangement of characters’appearance bring about different aesthetic feelings to audience;the structures of pictures can classified the primary and secondary relationship,positional relationship,emotional relationship etc according to characters’movements,facial expression and characters’position.