齐梁书法美学初探

A Glimpse of Qi and Liang Calligraphy Aesthetics

中国儒家思想崇尚“文以载道”,齐梁时期的文艺思想则认为文章是“经国之大业,不朽之盛世”,开始脱离教化思想,更注重个性情感的表达,表现出文艺独立的觉醒意识。齐梁时期产生了丰富的文学、书画批评著作,其书法美学深受这个时期政治、经济、主流思想等因素的影响。本文考量这些时代因素对士人心态变化产生的影响,从而形成这个时期特有的美学倾向,给传承魏晋、自我新变、影响后世的齐梁书法美学一个应有的客观的认识。

Qi and Liang period has always been regarded as a vulgar and shallow era,decadent politics,gorgeous literary and artistic style is often criticized by later generations.Chinese Confucianism advocates“literature carries Tao”,and the literary and artistic thought of this period thinks that the article is“the great cause of the country,the prosperous age of immortality”,begins to break away from the thought of indoctrination,pays more attention to the expression of individual emotion,and shows the awakening consciousness of the independence of literature and art.This period produced a wealth of literary,calligraphy and painting criticism works.The calligraphy aesthetics of a period is influenced by the political,economic,mainstream thought and other factors of this period.This paper considers the influence of these factors on the mentality of scholars,thus forming the unique aesthetic tendency of this period.To inherit the Wei and Jin dynasties,self-new changes,the impact of later generations of Qi and Liang calligraphy aesthetics should have an objective understanding.