试析辽墓壁画人物的服饰——以陈国公主驸马合葬墓为例

On the Costumes of Mural Figures in Liao Tombs——Take the Tomb of Princess Chen and Her Husband as an Example

辽代墓室壁画在中国壁画史上占有重要的地位,它是记录契丹民族生产生活方式的重要文化载体,也是研究契丹民族服饰的重要资源。内蒙古通辽市奈曼旗发现的陈国公主驸马合葬墓中的壁画,人物所着的服饰,无论从形制、材料还是色彩搭配都蕴含着丰富的历史文化内涵,体现了契丹民族效法大自然,与游牧的生产生活方式相适应以及与中原文化相融合的特点。

The murals in the tombs of Liao Dynasty play an important role in the history of Chinese murals.It is an important cultural carrier to record the production and life style of Qidan nationality,and also an important resource to study the costume of Qidan nationality.The murals found in the tomb of Princess Chen's son-in-law in Naiman Banner,Tongliao City,Inner Mongolia,and the costumes of the characters contain rich cultural connotations in terms of shape,material and color collocation,reflecting the characteristics of Qidan nationality imitating nature,adapting to the nomadic production and life style and integrating with the Central Plains culture.