界·非界——陶瓷艺术的传统与现代

Boundary and non boundary: the tradition and modern of ceramic art

传统与现代是陶瓷艺术老生常谈的话题,当代研究体系在心理上认为两者是属于不同的畛域。的确,两者存在着诸多差异性,但笔者以陶瓷从业者(个体)的视角将陶瓷艺术批评立场放在历史潮流进程中看待传统与现代的概念、"物"本"体"、"物"自"鸣"及艺术精神几个方面问题,试图打破这种看似无法逾越的界限,从根本上回归陶瓷艺术本质的属性及位置,探索传统与当代接轨与融合统一的可能性。

Tradition and modernity are the old topics of ceramic art. The contemporary research system thinks that they belong to different fields psychologically. It is true that there are many differences between the two, but the author, from the perspective of ceramic practitioners(individuals), puts ceramic art criticism on the historical trend process, regarding the existing concepts of tradition and contemporary, the "thing" based "body", the "thing" self "voice and the spirit of art, trying to break this seemingly insurmountable boundary and fundamentally return to the nature of ceramic art Sex and position, explore the possibility of integration and integration of traditional and contemporary.