传神写照对釉下五彩中人物画的影响

The influence of vivid portraiture on figure painting in underglaze five colors

人物画在我国绘画史中占据重要的位,早在秦汉时期画像砖,画像石,以及墓室壁画中,人物画面就已经相当丰富。魏晋南北朝时期人物画得到突飞猛进的发展,出现最早有记载的画家是曹不兴,之后卫协、顾恺之、陆探微、张僧繇等等重要的人物画家。人物画理论方面也有重要成就,比如顾恺之的《论画》、谢赫的《古画品录》等等。在魏晋南北朝人物画重神韵的理念就已经开始影响人物画坛,在之后的隋唐人物画,乃至整个中国的人物画历程都受其影响。当代的陶瓷人物画也继承和发展了传神写照的理念,将人物画在陶瓷中表现的非常完善。本文就以传神写照对釉下五彩中人物画的影响加以浅析。

Figure painting occupies an important position in the history of Chinese painting. As early as in the Qin and Han Dynasties, figure painting has been very rich in brick, stone and tomb murals. In the period of Wei, Jin, southern and Northern Dynasties, figure painting developed rapidly. Cao Buxing was the earliest recorded painter, followed by Wei Xie, Gu Kaizhi, Lu Tanwei, Zhang sengyao and other important figure painters. There are also important achievements in the theory of figure painting, such as Gu Kaizhi’s on painting, Sheikh’s ancient painting records and so on. In the Wei, Jin, southern and Northern Dynasties, the concept of emphasizing verve in figure painting began to influence the figure painting world. After that, figure painting in the Sui and Tang Dynasties, and even the whole process of figure painting in China, were affected by it. The contemporary ceramic figure painting also inherits and develops the concept of vivid depiction, and perfects the figure painting in ceramics. This paper analyzes the influence of vivid portraiture on the figure painting in underglaze five colors.