摘要
路遥的写作姿态卓然践行了以人民为本位的根本原则,他将作家的自身定位、写作行为与书写对象并置,深入贯穿到人民的身份意识之中。正是这种自觉的身份意识使他的创作不满足于社会问题的再现,而是苦苦求索于社会问题的发现。在他的创作中,人民不再是作家代为发言的群体或是深受同情的阶层,而是作家个人及其作品的主体性存在。也正是在这个层面上,路遥的创作在很大程度上回应了当代文学中存在的窄化“人民”的问题,拓展了人民文艺的宽阔视域。路遥创作的人民性特征,充分表现在他坚守现实主义的创作方法,展现了当代中国变革中的时代情绪及民众的精神心理动向。曾经被淹没于当代文学繁杂思潮更迭发展中的路遥小说,在现实主义的创作观念、传统道德的审美判断、书写苦难的情感基调以及认知人民大众创造历史的巨大推动力等方面,丰富了中国当代文学人民性书写的审美追求及意向。
Lu Yao’s writing attitude had carried out the fundamental principle of"People First."He had juxtaposed the writer’s own position,writing behavior and writing objects,and penetrated deeply into the people’s sense of identity.It was this self-consciousness of identity that made his works not satisfied with the representation of social problems,but with the discovery of social problems.In his works,the people were no longer the group which writers speak for,or the social class which was deeply sympathized with by others,but the subjective existence of the writers and their works.The character of"for the people"in Lu Yao’s works were fully manifested in his adherence to the realistic method of creation,showing the mood of the times and the mental trend of the people in contemporary China.
出处
《中国文学批评》
CSSCI
2020年第1期4-10,M0003,共8页
Chinese Journal of Literary Criticism