圆通:古代文论建构的审美表达

Comprehensiveness:The Aesthetic Expression of the Construction of Ancient Literary Theory

刘勰将“圆通”引入《文心雕龙》,用于文学创作与审美体验的理论阐释,赋予其文学审美意义。《明诗》篇中,“圆通”继承并更新圆融的内涵,在文体上指四言、五言体裁的兼备,在审美上指四言、五言雅润和清丽的俱美;《论说》篇中,“圆通”延续并扩大晓畅明朗的意义,用以指称论说文逻辑严谨、辞义显达的创作标准,以及心与理合的审美标准;《封禅》篇中,“圆通”的诗学旨趣和审美意涵进一步鲜明,基于封禅文体的性质和特点,更加强调文辞的畅达、语言的典丽以及意境的恢廓。经过刘勰的提炼和阐发,“圆通”成为其文论建构与审美表达的重要概念。

Liu Xie introduced the concept of“comprehensiveness”into Dragon Carving and Literary Mind for the theoretical interpretation of literary creation and aesthetic experience,and endowed it with literary aesthetic significance.After Liu Xie’s refinement and elucidation,the concept of“comprehensiveness”has become an important concept of his literary theory construction and aesthetic expression.