摘要
20世纪90年代以来出现的学者散文,是当代散文创作的一个重要现象。学者散文承接了中国的文章学传统,打通了古今散文的文脉。学者们的创作自由自在,率性任心,不受任何规矩的束缚,体现出一种真正的文体自觉。学者散文贴近散文本体,可以说是散文写作的正宗。它不但促使当代散文摆脱唯抒情的羁绊,拓展了当代散文的文体天地,而且将知识分子的精神生态与文体创造相融合,将文体的意义直接与文化自信相对接,从而使其散文写作具有独特的文化精神价值。立足于传统的文章学,在古今文体演变的大背景下,探讨学者散文的“文道合一”,微讽与幽默揶揄,以及独特的文笔、文气与氛围,有助于展开更为细致深入的研究。
Since the 1990s,the scholar prose has become an important phenomenon in contemporary prose writing.The scholar prose inherits the tradition of Chinese essay study and gets through the context of ancient and modern prose.The creation of scholars is free,straightforward and free from any rules,reflecting a real sense of style.Based on the traditional essay study,under the background of the evolution of the ancient and modern styles,it is helpful to carry out a more detailed and in-depth study to explore the“unity of prose and Daoism”,as well as the unique style and atmosphere.
出处
《中国文学批评》
CSSCI
2020年第1期69-76,M0005,共9页
Chinese Journal of Literary Criticism
基金
国家社会科学基金重大项目“两岸现代中国散文学史料整理研究暨数据库建设”(18ZDA264)阶段性成果