摘要
2019年中国影视的发展,呈现出几个鲜明特征:第一,边界的消融,对影视领域的界定已存明显的模糊性;第二,景观的多元,中国影视的形式、题材、类型、现象呈现出相当的丰富性;第三,叙事的进步,低语态、小切口地讲述中国故事出现了较为成功的样本;第四,传播的渗透,刷屏传播的理念与圈层传播的现象较为醒目。展望未来,在保证影视事业基本原则、功能和定位的基础上,期待中国影视人能够以互联网的思维、以融媒体的方式、以数字原住民的心理,再造网络时空中的新电视台、新电影院。
The development of Chinese film and television in 2019 presents several distinct characteristics.(1)Borders melt.There are obvious ambiguities concerning the definition of "film and television".(2)Diversity.There are diverse landscape concerning the forms,subjects and types of Chinese film and television.(3)Progress in narration.There are successful examples in terms of the progress of Chinese film and television narration.(4)Penetration.There are new idea,concepts and ways concerning Chinese film and television communication capability in media convergence era.Looking forward to the future,this research expects that armed with Internet and new media logics as well as the mindset of digital aboriginals,Chinese film and television practitioners could recreate new television stations and cinemas in cyberspace.
作者
刘俊
LIU Jun(Academic Journals Center,Communication University of China,Beijing 100024,China)
出处
《编辑之友》
CSSCI
北大核心
2020年第2期56-62,共7页
Editorial Friend
基金
中国传媒大学中央高校基本科研业务费专项资金资助项目“艺术融合时代研究：实践状况与理论回应”（CUC2019B092）
教育部社会科学重点研究基地重大项目“中国主流媒体内容生产研究”（19JJD860002）
关键词
电影
综艺节目
电视剧
网剧
纪录片
movie
variety show
teleplay
network drama
documentary
