正似我们借来的人生:在皮尔森的舞台上--第26届国际戏剧节的东欧戏剧

As the Life We Borrow:On the Stage of Pilsen:Eastern European Theatres in the 26^th International Theatre Festival

若是用一句话概括第26届国际皮尔森戏剧节带给我的感受,那便是“分寸得当,毫无废话,诚实正直”。《伊利亚特》掀开我眼前隐形的窗帘,让我进入肉眼所看不见的领域,一个超凡脱俗的世界,得以洞察非物质的世界,洞察看似唯一的物质世界与生活的本质。《人走后的房间》运用声音在戏剧中发挥着独特作用,让人得以一窥惊人的深刻哲学与无限的精神境界。《摹仿生活》在舞台上所创造的不同寻常的形象与丰富的感官体验,让作品成为一封正在发出求救信号的电报,而我们所有人,都是这封电报的收件人。戏剧节的喜剧类作品堪称典范,它让我们既能从笑声中获得活力又可以通过它来武装自己,这就使得我们在面对问题时是选择面对而非选择逃避。

If one sentence can be used to describe how I felt for the 26^th International Pilsen Theatre Festival,that is "appropriate,concise,honest and righteous".Iliad opens the curtain before my eyes,so dial I entered an invisible field,a extraordinary refined world,to examine the tangible world,to see the essence the seemingly only one material world and life.The sound plays unique function in the theatre The Room When People Left,so that audiences are able to see the stunning profound philosophy and infinite spiritual world.The unique images and rich sensual experience created on stage in Imitation of Life make the work a telegram to send out help signals while everyone of us are the recipient of this message.The comedy in the theatre festival is exemplary because it makes us energetic from the laughter and equips us with the laughter.As a result,this makes us to lace the proHem rather than escape from it.