新四军抗战演剧机制论析

On the Drama Mechanism Performed by the New Fourth Army for the Anti-Japanese War

新四军以戏剧作为承担文化建军重任最主要的艺术形式,开展了抗战演剧运动。其中,部队和华中根据地地方剧团以及院校等机构共同组建的动态三角结构形成保障演剧运行的组织体制;以新型创作伦理为内动力,通过对移植和改编剧目“推陈出新”,培养“本土”作家积极创作,以及“编剧的群众路线”,生产出丰富的戏剧作品;而通过将演剧活动置于民俗场域,则又搭建起稳定的观剧认同结构。它们之间以良性互动的关系建构成具有新四军及本地区特点的演剧机制,保障并推动演剧运动形成及可持续运行发展,形成戏剧发展的繁荣局面,并发展出具实践性、战斗性、人民性的文艺传统和美学风骨。

Carrying out drama campaign for the Anti-Japanese War,the New Fourth Army took drama as the most important artistic form for establishing cultural army.In the campaign,the dynamic triangle structure,which formed the organizational system ensuring drama operating,was composed by colleges and troupes belonging to troops and base area,etc.Through the mass line of scripting abundant dramatic works were produced by taking the new creation ethics as internal force,renovating the transplanted and adapted dramatic works,and cultivating native authors for creation.In addition,the stable identification structure was built for the masses to watch drama by putting the drama activity in the folk field.By means of benign interactive relationship among them,the drama mechanism with military and local characteristics was constructed to ensure and promote the formation and sustainable development of drama movement,form a prosperous situation of drama development,and develop a practical,militant literary tradition and aesthetic style for the people.