《三国·荆州》和《影》的暴力叙事比较

A Comparative Study of the Violence Narrative in Jingzhou and Shadow

张艺谋的电影《影》改编自朱苏进的剧本《三国·荆州》,两种不同的艺术形式有着截然不同的暴力叙事模式。朱苏进以国家命运为主题,呈现的是一种鲜血淋漓的搏杀模式,其暴力美学风格为血性阳刚。张艺谋则将影片主题改写为对个体命运的关注,不再刻意渲染暴力的血腥,而是通过色彩、"武舞"、文化观念等来传达出暴力的神韵。

The film Shadow by Zhang Yimou is adapted from the screen-writing Jingzhou by Zhu Sujin,while the models of violence narrative are absolutely different in these two art forms. With the theme of national destiny,Zhu Sujin presents a bloody and violent mode of fighting,and his violence aesthetic style is strong. Zhang Yimou rewrote the theme of the film as a concern for the individual’s destiny. Instead of deliberately rendering the blood of violence,he conveyed the charm of violence through color,martial arts dance and cultural concepts.