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论庄子的忧患意识及其美学表现 被引量:1

ZhuangZi’s Consciousness of Suffering and Its Aesthetic Expression
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摘要 庄子的忧患意识可分为三个方面:生存之忧、生命之忧和语言之忧。生存之忧是观察与思考的升华,是情感与理智的融通,是现实与理想的碰撞,是个体生命的觉醒和感悟;生命之忧是个体与社会,人与自然的异化,对人生意义地追问而产生的焦虑;语言之忧是思想与载体的分离,是语言难以承载人类生命体验的忧患。庄子通过生存之忧借物以抒性,生命之忧借物以乐道,语言之忧借物与同化。抒性、乐道、同化从而达到情趣意象的契合,融化为一的整体审美境界。 Zhuangzi’s consciousness of suffering can be divided into three aspects:the concern for survival,the worry for life and the worry for language.Survival concern is the sublimation of observation and thinking,the fusion of emotion and reason,the collision of reality and ideal,the awakening and realization of individual life.The worry of life is the alienation between individual and society,human and nature,and the anxiety that comes from the inquiry about the meaning of life.The worry of language is the separation of thought and carrier,and the worry that language can not carry human life experience.Zhuangzi expresses his feelings through the worries of existence,the worries of life by optimism,and the worries of language by assimilation.Expressing,optimism and assimilating together achieve the sameness of the images of emotion,melting into a whole aesthetic realm.
作者 韦正春 WEI Zhengchun(School of Literature,Guizhou Normal University,Guiyang,Guizhou 550025,China)
出处 《岭南师范学院学报》 2019年第6期64-70,共7页 Journal of Lingnan Normal University
关键词 庄子 忧患 生死 Zhuangzi Suffering Life and death Tao Aesthetic
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