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摩崖石刻中的唱和诗文研究

The Responsory Poems in the Stone Inscriptions
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摘要 石刻唱和诗不仅是文学作品的刊行与流传,也是诗文唱和活动的凝定,它融人、事、景、情于山岩石壁,是“诗可以观”“诗可以群”的典型。石刻唱和诗文多以诗摹景、以景解诗,形成诗景互观的模式;石刻唱和诗文常借景联结唱和,以诗和群,唱和相勉;同时,将唱和刻之于石,使得“唱”与“和”相长相发,促进文学乃至文化的交流传承与生发。品评摩崖石刻中的唱和诗文,既能深刻体会诗中所咏所叹的景、人与文,也能感知文与景背后的石刻意趣与氛围。 The responsory poems of stone inscription play not only the publication and circulation of literature,but also the condensation of literary responsory activities.It embodies characters,events,scenes and feelings in stone inscription,and is a typical example of“poems can see and group”.They use the poem to imitate the scenery and to interpret the poem with the scenery,forming the mutual view mode of poetry and scenery.Secondly,poetry of stone inscription bind scenery,responses,echo and encourage.Also,literary responsory activities carving in stone makes singing and responses complement each other,and thus promote the communication,inheritance and development of literature and even culture.Commenting and appreciating the poems carved in the stone inscriptions can not only have a more direct and profound understanding of the sighing scenery,the character and the poem,but also feel the atmosphere and interest behind.
作者 蔡文静 CAI Wen-jing(College of Literature,Guangxi Normal University,Guilin 541004,China)
出处 《宁波大学学报(人文科学版)》 2020年第2期36-43,共8页 Journal of Ningbo University:Liberal Arts Edition
基金 广西特聘专家专项项目“广西石刻与海上丝绸之路研究”(RZ1900003005) 广西博士研究生教育创新计划项目“桂林石刻之流寓文学研究”(YCBZ2018029)
关键词 桂林 摩崖石刻 唱和诗 以诗和群 Guilin stone inscription responsory poems response and gathering by poems
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