摘要
形式颓圮的砖墙,杂乱的瓦砾,恣肆的涂鸦,纯白的婚纱在这一片破败中尤为引人注目。在背后两栋看起来坚固却冷漠的在建高楼映衬下,眼前此景反而显得独特且生动。墙上的涂鸦令原本不堪入目的拆迁基地跃升为极具个性的艺术现场。空间拆迁将原本刻意设计过的城市空间瓦解为大片露天废地,路过者可以在其中任意游走,不受空间组织逻辑和产权区域划分的限制。这种无人管理的状态反而增强了其公共性,也给予了涂鸦等“野生艺术”繁荣生长的机会。
FORM The white wedding dress is particularly eye-catching with the smashing brick walls,messy rubble,and crazy graffiti.Against the backdrop of two tall buildings behind,which look strong but indifferent,the scene is really unique and vivid.The graffiti on the wall made the originally worthless demolition site jump into a highly artistic place.SPACE Demolition made the deliberately designed urban space disintegrated into large openair wasteland,and passers-by can freely walk around,without being restricted by the spatial logic and the division of property rights.The unmanned state has enhanced the publicity and given the opportunity for the“wild art”such as graffiti to thrive.
作者
江昊懋
JIANG Haomao(Tsinghua University,China)
出处
《城市设计》
2019年第5期62-63,共2页
Urban Design
