电影作品的审美召唤系统述描

On the Evocative System for Film Aesthetics

电影作品不是一个简单的线性构成物,而是应当被看成是一种具有复杂结构和参数的多级表意生成系统,与此同时,这个系统几乎所有的要素还要发挥对观看者的审美召唤功能。在这个意义上,电影作品绝不是一个单纯的表意系统,而是一个表意和召唤相互重叠和纠缠在一起的错综复杂的系统。电影作品,无论是作为一种现代艺术形式,还是作为一种现代化传播媒介,无论是从艺术学的角度来看,还是从美学的角度来看,都是一种可接受性传达(Acceptability Communication)的表意系统。在这里,可接受性和传达是互为前提条件的。也就是说,不具有可接受性的传达不能成其为一种传达。

A film is not a simple linear product;instead,it should be viewed as a multi-level generation system of ideograph.Meanwhile,nearly all the elements in this system should evoke the viewers’aesthetic functions.In this sense,a film is certainly not a mere ideographic system but an elaborate system interweaving with ideograph and evocation.Films,therefore,are an ideographic system of the acceptability communication whether viewed as a modern artistic form,or a modern communication medium or whether it is from the perspective of arts or aesthetics in which the acceptability and communication are prerequisites for each other.In other words,the communication without acceptability cannot be regarded as one acceptability.