新文化刊物与五四戏剧运动——以《新青年》《新潮》对外国戏剧的译介为中心

New Cultural Publications and the May Fourth Theatrical Movement: The Translation and Introduction of Foreign Dramas in New Youth and The Renaissance

以《新青年》《新潮》为首的新文化刊物,不仅是五四新文化和新文学运动的前沿阵地,也为五四戏剧运动的开展起到了极其重要的引领和推动作用。《新青年》《新潮》本着为中国文艺之复兴寻求新路的精神,合力引进易卜生式写实问题剧,介绍多种戏剧类型和风格流派,促进了西方近现代戏剧理念的传播和戏剧范本的输入,为现代话剧创作树立模板,并提供多种典范,从而使五四戏剧充满活力,为中国话剧增添了靓丽的色彩。

The new cultural publications headed by New Youth(La Jeunesse) and The Renaissance,the forefront of the new culture that came with the May Fourth Movement and the New Literature Movement,played an essential role in piloting and promoting the development of the May Fourth theatrical movement. In pursuit of the renaissance of Chinese literature and art,New Youth and The Renaissance co-worked to introduce Ibsenian realistic problem plays,as well as a diversity of theatrical genres,styles and schools. They advanced the reception of works and theories of Western modern drama in China,providing models and paradigms for Chinese modern drama. The period of May Fourth theatre is a splendid historic period in the development of Chinese modern drama,with its impressive vitality and diversity.