僧俗·经藏·碑板:辽刻房山石经书经活动的变局

Monks·Scriptures·Tablets: Changes of Sutra Copying of the Fangshan Stone Sutra in the Liao Dynasty

经本抄写是房山石经刊镌过程中的重要步骤,并在辽代产生了一系列的崭新特征。通过稽考辽刻房山石经,探究出辽代书经者中具有代表性的僧人、居士、工匠等三个群体。这些群体的书经活动既受到宗教信仰的驱使,也是既往书经活动的积淀和延续,共同构建了完善的合作网络。在辽代统治者和通理大师的相续规划下石经刊写模式逐步成熟,写经活动亦渐次有组织化,石经抄写的版式布局更为合理,经本大藏经逻辑也更加凸显,为幽州地区宗教、文化史及辽代书学状况的探讨提供了文献资料。

Sutra copying was an indispensable step in the process of engraving Fangshan Stone Sutra,and it has produces a series of brand-new features in the Liao Dynasty.Based on the examination of the Fangshan Stone Sutra in the Liao Dynasty,monks,laymen and artisans who are representative of the Liao Dynasty sutra are explored.The sutra copying of these groups,on one hand,are driven by religious beliefs,on the other hand,they are also the accumulation and continuation of the previous sutra copying,which jointly built a sound cooperative network.Under the continuous planning of the rulers and general masters of the Liao Dynasty,the writing mode of stone sutra was gradually matured,sutra copying were gradually organized,and the layout of stone sutra copy was increasingly reasonable,even the logic of Tripitaka texts became more prominent.These have provided literature materials for the discussion of religious and cultural history of Youzhou and the status of literature in Liao Dynasty.