扪心问道说发展—中国版画的新兴与繁盛

To Explore the Path of Development by Examining the Original Aspiration:The Birth and Prosperity of Chinese Printmaking

从鲁迅倡议的新兴木刻至今,中国版画历经三代人的努力,形成了三个重要的时期。从20世纪30年代新兴木刻运动的新兴之火,到1949年至1979年的诚意正心,再到今天的奋发图强,三代人与三个时期纵贯一线的就是对艺术、对版画的诚明之心。70年来,版画在立场方向上的“普及与提高”,在组织格局上的“精微与广大”,在风格取向上的“共性与个性”,在观念态度上的“封闭与开放”四个方面孜孜不辍、知行并重。本文围绕这四个方面,述说中国版画70年的丰硕成果,剖析当代版画的巨大机遇和所需警觉。

Chinese printmaking has experienced three significant stages since the new-style woodcuts advocated by Lu Xun,which involves the initial period of the woodcut movement in the 1930s,the dedication period from 1949 to 1979,and the diligence and renovation period nowadays.The three generations of printmaking have demonstrated jointly their sincere faith and self-giving devotion to this art.In the past 70 years,Chinese printmaking has been propelling the popularization and improvement of its perspectives,the subtlety and broadness in its structure,the commonality and individuality in its style,and the closedness and openness in its attitudes.This paper focuses on these four aspects,describing the achievements of Chinese printmaking in the past 70 years and analyzing the opportunities and challenges of contemporary printmaking.