中国“山”“水”的文化解读

Cultural Interpretation of “Mountain” and “Rivers” in China

从《山海经》《昆仑神话》以来,山水给中华民族留下的是壮阔浩渺、壮烈惨痛的生存经验。以中国自然地理之沉雄伟大,应该写出人类最伟大的史诗,但是这一使命并未完成。为了推进这一使命,需要通过东方表现主义进行创造。东方表现主义的学理立足点是在东方审美经验上面落地,而不是套用西方表现主义。通过东方表现主义的本土表达,把中国山水的神圣能量(其本源是中国大地先天存在的粗粝基质与艰难困苦),进行精神升华,构成中国特定的神圣山水艺术。从大历史的视角来看,神圣山水艺术最重要的价值在于从人类精神史、思想史的高度去理解文明,达成"趋向神圣而获得灵魂升华"的精神维度。

Since The Classic of the Great Wilderness and Kunlun Myth,the landscape leaves Chinese nation with the vast,magnificent heroic tragic life experience.The greatest epic should be written from Chinese great natural geography,but this mission is not completed.In order to promote this mission,we need use"Oriental expressionism"to create.The theoretical basis of"Oriental Expressionism"lies in the Eastern aesthetic experience,rather than the Western expressionism.Through the local expression of"Oriental Expressionism",the sacred energy of Chinese landscape,its origin is the inherent rough substrate,difficulties and hardships,can be transformed into spiritual sublimation,which will form the specific sacred landscape art in china.