摘要
摇篮曲作为一种口头艺术,是母亲在边哼边唱哄孩子入睡时的一种催眠曲,后来逐渐演变为一种音乐创作体裁,我国各地的摇篮曲在音乐创作中,大都习惯性运用同一音腔列体系,使其呈现出浓郁的地方性调式色彩。从吟诵性摇篮曲、抒情性摇篮曲、叙事性摇篮曲三种类型的摇篮曲的歌词、曲式结构、调式调性、旋律、节奏等音乐形态方面比较可见,不同类型摇篮曲音乐存在差异性,彰显不同的风格魅力,又存在共通性,体现了一个民族的文化价值和关怀。
Lullaby, as an oral art, is a kind of hypnotic song when mothers hum and sing to lull their children to sleep.Later, it gradually evolved into a musical genre. The same sound cavity system is commonly used in the composition of lullaby across China. That is why all these lullabies contain rich local tones. Lyrics, structure, tonality, melody and rhythm are compared and analyzed between three types of lullabies--reciting lullaby, lyric lullaby and narrative lullaby--so as to indicate their unique stylistic charm when the diversity can be confirmed. The similarity between these lullabies, on the other hand,embodies the cultural values and concerns of a nation.
作者
吴碧玲
吴安琪
WU Biling;WU Anqi(Education and Music College,Sanming University,Sanming 365004,China;Music College,Fujian Normal University,Fuzhou 350000,China)
出处
《三明学院学报》
2020年第1期83-89,共7页
Journal of Sanming University
基金
三明学院科学研究发展基金项目(A201102/G)