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地方戏曲受众培育研究

On the Cultivation of Local Opera Audience
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摘要 戏曲是对人的生活的模仿与提升。观众喜爱戏曲综合艺术之美,也从它演绎世间百态、传递真情实感中获得审美愉悦。走出剧场的观众,在社会真实的大舞台上亲历沉浮,在文明进程和社会转型中寻找价值认同和情感皈依。良好的观演关系有助于戏曲的生存和发展,以戏曲在日常生活的占有唤醒受众的家园情怀,从审美教育着手培养戏曲文化的传承者,这也是在培养戏曲未来的传播者和忠实的戏曲文化消费者。 Opera is the imitation and promotion of people′s life.The audience love the beauty of opera′s comprehensive art and derive aesthetic pleasure from its interpretation of the world′s various forms and its transmission of real feelings.The audience,walking out of the theater,experience the ups and downs on the real stage of society,and seek value identification and emotional conversion in the process of civilization and social transformation.A good relationship between watching and performing is conducive to the survival and development of opera.We may awaken the audience′s home feelings through the occupation of opera in daily life,and start from the aesthetic education to train the inheritors of opera culture,which is also to train the future transmitters and loyal consumers of opera culture.
作者 黄春梅 HUANG Chun-mei(Basic Course Department,Jiangxi Institute of Economic Administrators,Nanchang 330088,China)
出处 《东华理工大学学报(社会科学版)》 2019年第4期357-360,共4页 Journal of East China University of Technology(Social Science)
基金 江西省文化艺术科学规划项目(YG2016158)。
关键词 转型 戏曲 文化 审美 transformation opera culture aesthetics
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