摘要
为更深入地从生态美学视角探究少数民族服饰审美中“人—自然—社会”的和谐关系,以及这种和谐的传统服饰审美理念在设计中的现代性转换问题。本文首先从服饰的技艺因素、精神文化、社会符号三个方面分析水族服饰中隐藏的生态审美观,其次结合设计案例说明水族服饰生态审美理念在设计中的表现。得出将服饰文化的生态过程和生态环境纳入审美对象,进而产生审美关照,是把生态美学运用到少数民族服饰审美并进行现代性转换的重要方法。
In order to further explore the harmonious relationship between human,nature and society in ethnic minority costume aesthetics from the perspective of ecological aesthetics,so as to enlighten the natural ecology and social ecology in ethnic minority cultural construction.This paper firstly analyses the hidden ecological aesthetic connotation of Shui nationality costume from three aspects:the technical factors,spiritual culture and social symbols.Secondly,it illustrates the expression of ecological aesthetic concept in contemporary costume design vertically with relevant cases.It is concluded that incorporating the ecological process and ecological environment of costume culture into aesthetic objects and generating aesthetic care is an important method of applying ecological aesthetics to minority costume aesthetics and making contemporary transformation.
出处
《设计》
2020年第1期102-103,共2页
Design
基金
四川美术学院研究生科研创新项目《三都县水族女性服饰传承的现状与出路分析》(kycx28011)
关键词
自然生态
社会生态
少数民族
服饰审美
水族
Natural ecology
Social ecology
Ethnic minority
Costume aesthetics
Shui Nationality