当“展览”成为“事件”——2019 布拉格演出设计与空间四年展述评

Transforming“Exhibition”into“Event”--On Prague Quadrennial of Performance Design and Space 2019

本文试图聚焦与PQ主题“想象、转化与记忆”对应的三个主要展览单元,“学生展”“国家与地区展”和“碎片展”,分析这一世界重要演出设计展事的最新特点或走向。其中“学生展”中的边缘性或探索性实验,在某种程度上预示着PQ的未来;“国家与地区展”中,现场互动特别是表演元素的扩大,使展览性质不再是既定的和凝固的,而是正在生成的;回顾式的“碎片展”也许多少使人们重新思考传统的文献式展品的意义和价值,然而中世纪石雕博物馆背景提醒我们:这并非孤立和简单的回归,而是展品与环境和观众组成的叙事关系。

This article attempts to focus on three main exhibition units corresponding to PQ’s theme“Imagination,Transformation and Memory”,namely“Student Exhibition”,“Exhibition of Countries and Regions”and“Fragments”,and analyzes the latest features or trends of this important performance design exhibition in the world.Among those units,the marginal or exploratory experiments in the“Student Exhibition”to some extent indicate the future of PQ.In the“Exhibition of Countries and Regions”,the live interaction,especially the expansion of performance elements,makes the nature of the exhibition not fixed and solidified,but generating.The retrospective“Fragments”may make people rethink the significance and value of traditional documentary exhibits;however,the background of the Medieval Stone Carving Museum reminds people that this is not an isolated and simple return,but a narrative relationship between the exhibits as well as the environment and the audience.