慎思“后戏剧”膜拜下的舞台美术革新——兼评2019布拉格国际舞美展

On Stage Design Innovation Influenced by Worshipping of"Post DramaH--on Prague Quadrennial 2019

2019布拉格国际舞美展部分作品中所表达的“后戏剧剧场”理念,对戏剧的新解构过分借助数字化技术—影像拼贴、蒙太奇画面、碎片化组合、追求视觉感官刺激,也是如今国内舞台美术所热衷的,或者说它们之间相互深刻影响。科学地评价“后戏剧”思潮及其在当下舞台美术的作用,极有必要。本文试图理清“后戏剧剧场”探索的本意,强调任何剧场艺术形态均不可失去戏剧价值,支解文本与舞台就是叛离舞台美术本性。主张舞台美术富有戏剧性的“一戏一格”,慎思“后戏剧”膜拜的中国舞台美术革新。

The theater concept of“post drama”expressed in some works of Prague Quadrennial 2019,namely the new deconstruction of drama excessively relying on digital technology,image collage,montage picture,fragmented combination,and the pursuit of visual sensory stimulation,are also the passion of domestic stage design,or they influence each other deeply.It is necessary to evaluate the trend of“post drama”and its role in the contemporary stage design.This article clarifies the original intention of“post drama”in theater exploration,emphasizes that any theater art form cannot lose the value of drama,and to break the play and stage is to betray the inherent nature of stage design.It also advocates that stage design should be full of theatrical concept of“one drama,one style”.A close study on the stage design innovation influenced by the worship to“post drama”aims at promoting the prosperity of stage design in China.