先求准，再求变——杨之光人物画艺术探究

Accuracy Prior to Change——Yang Zhiguang Figure Painting

杨之光强调以“精准”的造型能力塑造人物的形象并实现以形传神的目的,他在继承传统没骨法的基础上大胆借鉴西方绘画理论、吸收色彩和光感的表现方法,创新出了一种新没骨绘画技法,使中国人物画焕发了新的生命力。杨之光不断拓展新的表现题材,为时代造像成为其艺术创作的突出特点。这些为当代人物画创作发展提供了有益参考。

Yang Zhiguang highlights accuracy in figure painting with its unique artistic appearance.Absorbing the western painting theory,his artistic innovation has gone beyond the aesthetic category of traditional figure paintings,which helps to develop a new way of painting called no bone painting technique.His innovative consciousness and varied painting themes provide useful references for the creation and development of contemporary figure painting.