摘要
洪深是最早一批投入中国电影创作的戏剧人,也是当时左翼电影批评的一名干才。主题思想的教育性、取材的现实性、表现手段的真实性以及反映社会的时代性共同构成了洪深电影批评的标准。洪深的电影批评具有相当强烈的目的性和意识形态性,这也是他以电影为手段、报刊为阵地,在公共领域进行智性表达、参与现代民族话语建构的武器,是其基于民族启蒙的救世情怀与精英意识的彰显。
As the earliest group of Chinese filmmakers,Hong Shen is a talented person in the film industry of the Republic of China and a backbone of left-wing film criticism.The education of the theme,the reality of the material,the authenticity of the means of expression,and the era of the society reflect the standards of Hong Shen's film criticism.Hong Shen's film criticism has a strong purpose and ideology.It is a weapon for him to express his wisdom in the public domain and participate in the construction of modern national discourse by means of movies and newspapers.It is also a manifestation of his salvation feelings and elite consciousness based on national enlightenment.
作者
严芳
YAN Fang(School of Arts,Nanjing University,Nanjing,Jiangsu 200018)
出处
《艺术百家》
CSSCI
北大核心
2019年第6期144-149,共6页
Hundred Schools In Arts
基金
2018年度国家社会科学基金重大招标项目“中国现代电影文学资料发掘、整理与资源库建设”(项目编号:18ZDA262)阶段性成果
2019年度江苏省教育厅高校哲学社会科学研究项目“发现与阐释——先行者洪深的再认识”(项目编号:2019SJA2030)阶段性成果之一