焦虑与转向——余华作品的通俗化倾向

Anxiety and Turning——The Tendency of Popularization in Yu Hua’s works

余华在后"先锋"时期急剧转型,当不断解构文学及世界时,实际上已经消解了文学本体的意义,这一所谓先锋的"游戏"已然无法进行下去。余华在转向通俗化写作中,通过"克诺西斯"这一"修正比"获得了某种自我升华,而这种转变无不来自余华某种渴望成为"强者诗人"的驱动力。余华在摆脱"先锋文学",完成转型后,又受到同样来自大众文化、信息时代、娱乐产业、大众审美等的"影响"缠绕,其焦虑亦然挥之不去。这种"影响"裹挟着包括先锋作家在内的严肃文学作家,成为他们急需思考的问题。

Yu Hua has underwent a sharp transformation in the "post-pioneer" period. When he constantly deconstructs literature and the world, he actually dissolves the meaning of literature noumenon, which can’t leading to the further development of this so-called the "game" of pioneer any longer. When Yu Hua turns to popular writing, he obtains a certain self-sublimation through the "modified ratio" of "Knossis", which all came from the driving force of Yu Hua’s desire to become a "strong poet"..After getting rid of "pioneer literature" and completing the transformation, Yu Hua is also haunted by "influences" from mass culture, information age, entertainment industry and mass aesthetics, and his anxiety is lingering as well. This "influence" compels serious literary writers including pioneer writers, which has become an urgent problem for them to think about.