摘要
文章主要针对明清时期最具代表性的《山海经》刻板插图,从视觉传达的创作角度对《山海经》中神怪的形象来源及造型创作技法进行挖掘研究,归纳出同构置换、重复叠加、加法原则、夸张异化等图形创意的方法,并运用于当代插画艺术创作中。
This article will mainly focus on the most representative stereotyped illustrations of the Mountains and Seas in the Ming and Qing dynasties.From the perspective of visual communication,it will excavate and study the origin of the image of the gods and the techniques of modeling creation in the Classic of Mountains and Seas,and apply the summarized creative techniques such as isomorphism replacement,repetition and superposition,principle of addition,exaggeration and alienation,and applies them to contemporary illustration art c reation.
作者
陈志莹
任云妹
Chen Zhiying;Ren Yunmei(Tianjin University of Technology,Tianjin 300384,China;Hebei University of Technology,Tianjin 300401,China)
关键词
山海经
图形创意
神怪形象
the Classic of Mountains and Rivers
graphic creativity
monster image