摘要
在藏密坛城艺术中,无论是图案符号还是空间布局都有具体明确的象征意义。设计是超越设计内容本身体现在较高层面的探索精神,在现代艺术设计中也是要充分考虑设计的精神象征,这也是设计者传达设计思想的重要表现手段,藏密坛城艺术中的一些精神理念和表达形式,为我们今天的艺术设计提供了良好的借鉴。坛城艺术是理念、仪式和图像三者的有机结合,通过对坛城艺术的分析,能够让更多的人从更多元的角度来了解坛城艺术的文化内涵,从中汲取有益的因素。
Hidden in dense mandala art design symbol and space layout has specific symbolic design is beyond the design content itself at a higher level exploration spirit,in the modern art design is also a spiritual symbol of design should be fully considered,it is also the designer to communicate design ideas of important performance means,hide some of the mandala art spirit idea and form of expression,for our today’s art design provides a good reference mandala is the concept of art The organic combination of ceremony and image,through the analysis of the art of altar city,can let more people understand the cultural connotation of altar city art from more angles,draw beneficial influence from it.
作者
赵晓峰
张梦圆
Zhao Xiaofeng;Zhang Mengyuan(School of Architecture&Art Design of Hebei University of Technology,Tianjin 300401,China)
基金
国家自然科学基金资助项目“佛教宇宙世界”空间体系解析与汉传佛寺空间布局研究(51778 205)
关键词
坛城
艺术设计
美学思想
应用价值
Temple city
art design
aesthetic thought
application value