摘要
新中国成立后,田汉与北京人艺的互动成为作家(诗)与剧院(剧)合作的范本。具体来说,田汉对北京人艺剧目建设及其演剧风格的形成起到了重要的作用,同时北京人艺艺术家们亦为田汉戏剧创作提供良好的写作建议,对其剧本的修改和完善功不可没,其超越时空的舞台演出使田汉戏剧获得了不朽的艺术生命。
Since the founding of the People’s Republic of China,the interaction between Tian Han and Beijing People’s Art Theatre has become a model for the cooperation between writers(poem)and theatre(drama).Specifically,Tian Han played a significant role in the repertoire construction of the Beijing People’s Art Theatre and the forming of its drama style.In the mean time,artists of the Beijing People’s Art Theatre gave Tian Han favorable suggestions,which contributed immensely to the modifying and improving of his scripts.Their magnificent performances beyond the time and space limit have given Tian Han’s scripts immortal artistic life.
作者
陈军
CHEN Jun(Department of Drama Literature,Shanghai Theatre Academy,Shanghai 200040,China)
出处
《南通大学学报(社会科学版)》
CSSCI
北大核心
2020年第2期58-64,共7页
Journal of Nantong University:Social Sciences Edition
基金
国家社会科学基金重大项目“中国话剧接受史”(18ZDA260)
上海高峰高原学科建设计划成果(SH1510GFXK)
江苏高校哲学社会科学优秀创新团队项目“戏剧综合研究与文化生态建设”(2017ZSTD013)
关键词
田汉
北京人艺
互动关系
Tian Han
Beijing People’s Art Theatre
interactive relationship