南宋行记中的身份、权力与风景——解读周必大《泛舟游山录》

Identity, Power and Landscape in the Travel Records of Southern Song China: Understanding The Record of Sailing and Sightseeing of Zhou Bida

《泛舟游山录》是周必大奉祠闲居期间的作品,书中所体现的身份、权力和风景之关系皆与其祠禄官身份相关。他利用个体的文化资本,透过文化取景框,用互文和对话的方法,将自然观察与文史考证相结合,笔势流走,虚实相生,在特定的文化场域中塑造了行走的、诉诸理性的人文化风景。风景起源于身份,既是权力的产物,也是权力的体现。南宋日记体行记是作者们对现实世界的"文学制图",是从空间维度塑造中国的关键文本。需要通过探索文本的外部联系和内部修辞,重绘文本的"认知绘图"。

The Record of Sailing and Sightseeing is written by Zhou Bida during his idle life as a Taoist temple official. The relationship between identity, power and landscape reflected in this book is related to this living state. Zhou Bida combined natural observation with textual research of literature and history by using individual cultural capital, cultural finder frame, intertextuality and dialogue. The book’s writings flow naturally, and the virtual and real landscapes in it interact with each other so that the walking and rational human cultural landscape is created in the specific cultural field. Landscape originated from identity, which is not only the product of power, but also the embodiment of power. The travel records with diary style of Southern Song China are the authors’ "literary cartography" of the real world and the key texts to shape China from the spatial dimension. It is necessary to redraw the "cognitive mapping" of the texts by exploring the external connection and internal rhetoric of the texts.