红柯小说死亡景观的空间构建——以红柯中短篇小说为中心

Spatial Construction of Death Landscape in Hongke’s Novels —— Focusing on Hong Ke’s Novelettes and Short Stories

死亡叙事是红柯小说创作中最为重要的叙事手段之一,而其中短篇小说的死亡叙事则凸显出一种死亡景观的空间艺术建构。在红柯所构建的时空结合的“死亡空间”里,死亡个体与其周围的自然环境作为这个空间的主体,通过死亡个体在形体层面的“仪式感”“寓言性”以及“死亡空间”内独特的构图与强烈色彩感等,触发了以视觉为主的感觉联动效应。而“死亡空间”所呈现出的“死亡图像”也暗含了红柯对时间、空间的独特理解,以及自身渴望实现灵魂不灭、与自然相融的终极生命价值与文学理想。

Death narration is one of the most important narrative means in Hongke's creation,and the death narration in short stories highlights a kind of space art construction of death landscape.In the“death space”constructed by Hongke,the dead individual and the natural environment around him are the main body of the space.Through the“ritual sense”,“fable”of the dead individual at the physical level and the unique composition and strong color sense in the“death space”,the visual-based sensory association is triggered relatively.The“death image”presented by“death space”also implies Hong Ke's unique understanding of time and space,as well as his desire to realize the ultimate life value and literary ideal of immortality of soul and integration with nature.