何以为家:新世纪以来台湾新移民的影像呈现与文化建构

Where is My Home:Image Presentation and Cultural Construction of New Immigrants in Taiwan since the New Century

移民题材始终是台湾电影重要的叙事构成。在全球化的时空语境中,来自中国大陆和东南亚的新移民以移民工人和移民新娘的方式进入台湾社会,在不同的社会构成、文化语境和价值体系中,他们在台湾所处的社会位置和生活状态成为台湾电影关注的重点。本文通过跨地的空间景观、混杂的文化认同和流动的社会心理三个层面来分析台湾电影中关于新移民的影像书写,将台湾新移民放置在现代性和全球化的社会语境中加以审视,试图在自我与他者的双重视阈中完成对台湾新移民的文化阐释和心理建构。

Immigration theme always plays an important role in Taiwan cinema. In the context of globalization, new immigrants from the mainland and Southeast Asia enter Taiwan society as migrant workers and migrant brides. In different social constitution, cultural context and value system, their social position and living conditions in Taiwan have become the focus of Taiwan film. Through trans-regional spatial landscape, mixed cultural identity and mobile social psychology, this paper makes a detailed analysis of the image writing about new immigrants in Taiwan cinema, putting the new immigrants in the social context of modernity and globalization for examination, and trying to complete the cultural interpretation and psychological construction of the new immigrants in Taiwan from the dual perspectives of self and other.