《聊斋志异》情爱叙事之叙述声音与“现实主义”指向

Narrative Voice and “Realism” Orientation of Love Narration in Strange Stories from a Chinese Studio

《聊斋志异》情爱叙事文本采用第三人称叙述,其基本功能是建构一个“叙述者框架”,这个符号表意框架将整个叙述构筑成为有意义的整体。无主体性的女性形象是男性欲望话语的能指符号,介于封闭性与开放性之间的书斋是生命激情与文化规训矛盾的空间隐喻,“谁看”与“谁说”的区分意在实现个人化与公共性叙述的统一,凸显《聊斋志异》情爱叙事文本之叙述声音,传达出“现实主义”叙事意趣。

The love narration of Strange Stories from a Chinese Studio utilized the third-person way to illustrate,and its basic function was to construct a“narrator’s framework”,which made the whole narration a meaningful one.These female figures without their own subjective awareness were made by males’desire.The study room,both closed and open,was depicted as a metaphorical space to show the contradiction of the passion of lives and rules of traditional culture.The distinction between“who saw”and“who said”intended to realize the consistency of individual and public description.All of these aspects emphasize the narrative voice of the love narration of Strange Stories from a Chinese Studio,and express the inexplicit initiative of“realism”.