论《边城》的“诗语”风格与结构模式--基于形式主义与结构主义视角

The “Poetry” Style and Structural Model of The Border Town:Based on Perspectives of Formalism and Structuralism

小说《边城》问世多年,至今仍有众多读者深深为其中乌托邦式的田园风情所迷恋,同时又为翠翠在绝望与希望中的内心挣扎与一往情深所触动。文学是语言的艺术,也是结构的艺术。究竟是什么样的语言组合、结构安排,造就了一个遗世独立、饱含情韵的"边城"世界?这是沈从文艺术创造的"达文西密码"。在本文中,笔者从形式主义和结构主义视角,剖解沈从文内在的写作发生过程及呈现形式,重捕《边城》核心符号,揭示《边城》的隐性复调叙事,以期"解码"沈从文艺术世界的奥秘。

The novel The Border Town has been published for many years,and many readers are still deeply fascinated by the beautiful pastoral scenery,and touched by interior struggle and love in despair and hope of Cuicui. Literature is the art of language as well as of structure. What kind of language combination and structure arrangement created an independent "border city" world with full of love? This is the "Da Vinci code" created by Shen Congwen. In this paper,from the perspectives of formalism and structuralism,the author analyzes the internal writing process and presentation form of Shen Congwen,recapitulates the core symbol of The Border Town,and reveals the implicit polyphonic narrative of the novel in order to decode the mystery of Shen Congwen’s art world.