从知觉现象学角度解读卒姆托的设计思想

Interpretation of Zumthor’s Design Thought From the Perspective of Phenomenology of Perception

20世纪,现象学由德国哲学家胡塞尔首先提出。梅洛·庞蒂将其从"先验意识"返回"身体",强调原初的知觉感受,探讨身体对于空间与时间的运动式认知。论文认为建筑学作为一门实践学科,追求意义的显现,与现象学不谋而合。卒姆托受其影响,从原初的知觉出发,灵活地运用空间、光影以及材质,营造出丰富的"现象场",在氛围中实现能触动人的建筑本体。

In the 20 th century, phenomenology was first proposed by the German philosopher Husserl. Maurice Merleau-Ponty returned it from "transcendental consciousness" to "body", emphasized the original perceptual feeling, and explored the body’s motional cognition of space and time. This paper holds that, as a practical discipline, architecture pursues the manifestation of meaning, which coincides with phenomenology. Influenced by it, Zumthor flexibly used space, light, shadow and material from the original perception to create a rich "phenomenon field", and realized the architectural noumenon that could touch people in the atmosphere.