摘要
花儿盛行在甘肃、青海、宁夏,新疆等省区,陕西宝鸡以西、四川若尔盖一带及西藏部分地区也有流传,是汉、回、东乡、保安、撒拉、土和部分藏、裕固等民族都喜爱的山歌。花儿音乐创作从原生态音乐到目前在此基础上加入伴奏;通过花儿音乐素材改编;运用花儿音乐创作“花儿剧”等方式。花儿音乐的创作发展到今天,已经走向了很成熟化、现代化、多元化的趋势,其不管是从“花儿”歌曲本身的风格原型去创作,还是通过“花儿”音乐素材的发展二度再创作,都离不开“花儿”这个本体的因素。相信花儿音乐通过许多学者、作曲家的努力会更加“鲜艳”。
Hua'er is popular in Gansu,Qinghai,Ningxia,Xinjiang and other provinces.It is also popular in the west of Baoji,Sichuan Ruoergai and some parts of Tibet.It is a folk song loved by Han,Hui,Dongxiang,Baoan,Sala,tuhe,some Tibetan,Yugu and other ethnic groups.From the original ecological music to the present,Hua'er music creation adds accompaniment on this basis,adapts through Hua'er music materials,and creates"Hua'er opera"by using Hua'er music.The creation of Hua'er music has developed to a very mature,modern and diversified trend.No matter from the style prototype of"Hua'er"song itself to creation,or through the development of"Hua'er"music material to re creation,it is inseparable from the"Hua'er"as the ontological factor.I believe that Hua'er music will be more"colorful"through the efforts of many scholars and composers.
出处
《科技视界》
2020年第3期163-164,共2页
Science & Technology Vision