独白剧场中的有声语言创作

On the Verbal Language Creation in Monologue Plays

生活的舞台很广阔,艺术的探索更深奥,需提升有声语汇的艺术品质,为观众在剧场的殿堂里奉献听觉文化的审美盛宴。触及当代前沿艺术实践的范畴,让更多学者和观众了解有声语言创作并不只是一种发音技巧,更是一种审美思维和艺术构思。同时,以本人创作的《纯真记忆》为研究对象,力求理论与实践互为渗透,既研究有声语言创作的相关理论,同时系统梳理独白剧场的艺术形式。

The stage of life is broad, while the exploration of art is more profound. Hence, it is necessary to improve the artistic quality of the verbal vocabulary and provide the audience with an aesthetic feast of auditory culture in theatre halls. Involving the scope of the contemporary art practice frontier, more scholars and audience should understand that verbal language creation is more an aesthetic thinking and artistic conception than a pronunciation technique. Taking Pure Memory created by the author as the subject investigated, and to integrate theory mutually with practice, this paper studied the relevant theories of verbal language creation and systematically sorted out the art forms of monologue plays.