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新中国成立后艺人尊严的回归(1949-1956) 被引量:1

Return of Entertainers’ Dignity After the Founding of New China(1949-1956)
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摘要 旧社会被蔑称为"戏子"的艺人,长期被剥削和压迫,失去了人的尊严。新中国初期,政府改革旧戏团体中的不合理制度,使艺人获得了解放。在中国共产党的领导下,艺人通过对表演内容、舞台形象、自身思想的改革和改造,强化了政治觉悟和人民立场;还在中国共产党的领导和动员下,参与并支持了国家各项政治经济活动的宣传与建设。在新社会,艺人被称为"人民演员",祛除了屈辱的"贱民"印记,职业尊严和人格尊严得到了回归。 The entertainers who are stigmatized as "dramas" in the old society have been exploited and oppressed for a long time and lost their human dignity. In the early days of New China, the government reforms the irrational system in the old opera groups, and liberated artists. Under the leadership of the Communist Party of China, entertainers have strengthened their political awareness and people’s position through reform and transformation of the performance content, stage image, and their own ideas. They also participate in and support various political and economic activities of the country. In the new society,entertainers are called "people’s actors", and the humiliating "pariah" mark is removed, and professional dignity and personal dignity have been returned.
作者 陈元元 CHEN Yuan-yuan(School of Marxism,Beijing Normal University,Beijing 100875,China)
出处 《石家庄学院学报》 2020年第2期128-133,139,共7页 Journal of Shijiazhuang University
关键词 戏子 人民演员 尊严 回归 opera jokery people’s actors dignity return
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