论“鲁迅影像”中的绍兴空间营构

The Spatial Construction of Shaoxing in “Lu Xun Image”

"鲁迅影像"作品中的绍兴空间,是"鲁迅影像"中最稳定、最成熟和最明确的空间意象。这一空间在电影文献纪录片、电视传记片和演剧传记片三种类型的作品中有不同的侧重和表达,体现了"鲁迅影像史"上不同的绍兴风貌。绍兴空间由风景、风物和风情三种不同符码组成,它们的编码规则代表着鲁迅形象的认知模式,并随着"鲁迅影像"定位和媒介影响而改变。绍兴空间也形成特定的程式:在画面和声音关系、绍兴空间的视线设置、处理人与物之间的关系及其影像内容的排序和比重都表现出一定规律性,也内涵着空间的权力秩序。绍兴空间意象内外视觉机制的形成从属于"鲁迅影像"建构,它具有为鲁迅形象的现代性目标诉求提供批判基础、构筑丰富情感的作品阐释空间和形成情绪氛围的功能。

The Shaoxing space is the most stable, mature and unequivocal space intention in " Lu Xun image". There are different focuses and expressions in the three types of works, namely film documentary,film biopics and drama biopics, which reflect different Shaoxing styles in " Lu Xun’ s image history".Shaoxing space is composed of three different codes: landscape, scenery, and style. Their coding rules represent the cognitive mode of Lu Xun’s image, and also change with the positioning of Lu Xun’s image and media influence. The Shaoxing space also forms a specific program: the relationship between the picture and the sound, the line of sight setting in the Shaoxing space, the relationship between the human and the object, and the order and proportion of the image content show a certain regularity, which also implies the power order of the space. The formation of the visual mechanism inside and outside Shaoxing’s space image is subordinated to the "Lu Xun image" construction. It has the function of providing a critical basis for Lu Xun’ s image of modernity goal, constructing a rich emotional interpretation space and forming the emotional atmosphere of Lu Xun’s image.