摘要
神话原型批评是在跨学科的语境中出现的,是学科交融的产物,体现出20世纪理论生产的特点。在批评理论史上,神话原型批评具有特殊的意义。它的文学观推动了批评理论的文化转向,带来了文化范式的转换。这种批评范式的转换在理论史上具有开拓性,从理论观点、方法论和价值观等多个层面对其后文化研究潮流下的批评理论带来了巨大影响。这也恰恰是神话原型批评的当代价值和生命力所在。
Mythological archetypal criticism appears in the context of interdisciplinary, and it is the product of interdisciplinary integration, reflecting the characteristics of theoretical production in the 20 th century. In the history of criticism theory, mythological archetypal criticism has special significance. Its literary view brings about the cultural turn of critical theory and cultural paradigm.The transformation of this critical paradigm is pioneering in the history of theory. It has brought great influence on the subsequent critical theory. This is exactly the contemporary value and vitality of the archetypal criticism of divine painting.
作者
张良丛
ZHANG Liang-cong(School of Literature,Yangtze Normal University,Chongqing 408100,China)
出处
《廊坊师范学院学报(社会科学版)》
2020年第1期19-25,共7页
Journal of Langfang Normal University(Social Sciences Edition)
基金
重庆市社科规划项目“审美资本主义批判的理论演进与美学重构”(2018YBWX127)阶段性成果。
关键词
神话原型批评
文化范式
跨学科性
mythological archetypal criticism
cultural paradigm
interdisciplinary