摘要
本文从一种动态的视角与跨文化角度,以每届威尼斯双年展中国馆主题的变化、参展艺术家以及策展人的选择为主要线索,讨论国家文化政策在当代艺术领域的体现以及中国当代艺术家逐渐自觉的跨文化实践。
From a dynamic view and a perspective of cross-culture, this paper discusses the reflection of national cultural policies in the field of contemporary art and the gradual self-consciousness of cross-cultural practices by Chinese contemporary artists, taking the thematical alterations of the China pavilion in each Venice Biennale and the strategies of participating artists and curators as the main clue.
出处
《美术》
CSSCI
北大核心
2020年第3期15-18,14,共5页
Art Magazine
关键词
威尼斯双年展
中国馆
跨文化
the Venice Biennale
China pavilion
Space
exotic sentiment
fusion
cross-culture