含蓄与朦胧风格比较研究

A Comparative Study of Implicitness and Obscurity Styles

含蓄与朦胧作为两种文学风格有其相似之处,但二者之间也存在细微的区别。在象与意的呈现方面,含蓄侧重间接委婉的方式和凝练的语言风格,隐是其主要特点,而朦胧则游离于隐显之间。言近旨远的含蓄美更具时间性,多义并置的朦胧美更具空间感。在哲学渊源上,以无为之心蕴化出有形之象开辟的无限之意造就了含蓄风格,以清醒之眼造就出幻化之境呈现的妙悟之真生发出朦胧的韵味。

Implicitness and obscurity are similar as two literary styles, but there are subtle differences between them. Implicitness puts emphasis on indirect euphemism and concise language style from the presentation of imagery and meaning mainly featured by implication, while obscurity dissociates between implication and explicitness. Implicit beauty is more inclined to time while the latter is more inclined to the sense of space. In terms of philosophical origin,the trait of implicitness is infinite meaning while obscurity means the truth of enlightenment.